Takahiko Iimura Movies

  • 1970
    A Chair

    A Chair

    A Chair

    01970HD

    One of Takahiko Iimura's (and modern art's) earliest works in conceptual video, A Chair entirely consists of a steady (and usually ghosted) image of...

    A Chair
  • 2012
    Film Workshop In SANGENJAYA - Summer

    Film Workshop In SANGENJAYA - Summer

    Film Workshop In SANGENJAYA - Summer

    02012HD

    8mm short by Kenji Onishi and Tohru Mabuchi.

    Film Workshop In SANGENJAYA - Summer
  • 1984
    Shadowman (The Structure of Seeing and Hearing)

    Shadowman (The Structure of Seeing and Hearing)

    Shadowman (The Structure of Seeing and Hearing)

    01984HD

    A mind-twisting video, meditating on the experience of watching film/video, and of seeing and being seen. Prodded by a succession of riddles, the...

    Shadowman (The Structure of Seeing and Hearing)
  • 1967
    Japanese Erotica: Five Films on Love and Sex from the Japanese Underground of the Experimental Cinema

    Japanese Erotica: Five Films on Love and Sex from the Japanese Underground of the Experimental Cinema

    Japanese Erotica: Five Films on Love and Sex from the Japanese Underground of the Experimental Cinema

    01967HD

    A program of five films on love and sex from the Japanese underground of the experimental cinema, assembled by avant-garde cineaste Takahiko Iimura,...

    Japanese Erotica: Five Films on Love and Sex from the Japanese Underground of the Experimental Cinema
  • 1993
    A I U E O NN Six Features

    A I U E O NN Six Features

    A I U E O NN Six Features

    01993HD

    Experimental film involving letters.

    A I U E O NN Six Features
  • 1987
    Double Portrait

    Double Portrait

    Double Portrait

    01987HD

    "Double Portrait" and "I Love You" are a paired piece with Akiko Iimura. Both Iimuras play individually as well as a unit. In "Double Portrait" they...

    Double Portrait
  • 1962
    Dada 62

    Dada 62

    Dada 62

    01962HD

    Yomiuri Independent was an annual show between 1949-1963 that exhibited all art that was submitted. Artists in the early 60s began to take advantage...

    Dada 62
  • 1972
    Timed 1, 2, 3

    Timed 1, 2, 3

    Timed 1, 2, 3

    01972HD

    Visually, each section of the film is composed of 10-second spans of clear and dark leader, arranged in a progressive fashion so that at first there...

    Timed 1, 2, 3
  • 1975
    24 Frames per Second

    24 Frames per Second

    24 Frames per Second

    01975HD

    This film, and in particular the function of sound within it will vary freely from moment to moment, viewer to viewer.

    24 Frames per Second
  • 1970
    Kiri (The Fog)

    Kiri (The Fog)

    Kiri (The Fog)

    01970HD

    "Shot on 8mm on a mountain in Japan, the abrasive winds that drift the fog in Iimura's Kiri are so fierce we almost believe it to have grazed the...

    Kiri (The Fog)
  • 1972
    Models: B-4: Seeing, Not Seeing

    Models: B-4: Seeing, Not Seeing

    Models: B-4: Seeing, Not Seeing

    01972HD

    Short work.

    Models: B-4: Seeing, Not Seeing
  • 1967
    White Calligraphy

    White Calligraphy

    White Calligraphy

    01967HD

    White Calligraphy is an abstract short made by scratching characters from 'Kojiki', an early Japanese text, into the frames of 16mm black leader.

    White Calligraphy
  • 1981
    Talking in New York

    Talking in New York

    Talking in New York

    01981HD

    A kind of first person cinema where the filmmaker is the cameraman as well as the actor. Acting like a total stranger in the city who does not speak...

    Talking in New York
  • 2004
    Ma: The Stones Haved Moved

    Ma: The Stones Haved Moved

    Ma: The Stones Haved Moved

    02004HD

    An animation film in which the outline of the image of a stone garden was traced on computer. As the result while the camera-crews moved in...

    Ma: The Stones Haved Moved
  • 1972
    Models: B-1: Counting, 100 Or X's

    Models: B-1: Counting, 100 Or X's

    Models: B-1: Counting, 100 Or X's

    01972HD

    Models, Reel 2 (B-1~4) consists of four works and is dealt with, different from Reel 1, symbol/words, and the logic in film. First "Counting 1 to 100...

    Models: B-1: Counting, 100 Or X's
  • 1981
    I Am A Viewer You Are A Viewer

    I Am A Viewer You Are A Viewer

    I Am A Viewer You Are A Viewer

    01981HD

    In "I Am A Viewer, You Are A Viewer" the performer plays the double role of the performer and the audience simultaneously, talking to his own shadow....

    I Am A Viewer You Are A Viewer
  • 1978
    Four Shadows

    Four Shadows

    Four Shadows

    71978HD

    Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image...

    Four Shadows
  • 1972
    Models: A-1: 2 Min. 46 Sec. 16 Frames

    Models: A-1: 2 Min. 46 Sec. 16 Frames

    Models: A-1: 2 Min. 46 Sec. 16 Frames

    01972HD

    By using simple systems of counting and measuring in film, Iimura has drawn attention to the complexities of our time perception – memory,...

    Models: A-1: 2 Min. 46 Sec. 16 Frames
  • 1989
    Scared to Death

    Scared to Death

    Scared to Death

    01989HD

    An image synthesized version of Mardi Gras festival in New Orleans, in which many colorized images flow slowly left to right as the parade of the...

    Scared to Death
  • 1971
    The Pacific Ocean

    The Pacific Ocean

    The Pacific Ocean

    01971HD

    Shot on 8mm on the 12-day boat journey between Yokohama and San Francisco, Iimura's The Pacific Ocean consumes the anticipation and uncertainties of...

    The Pacific Ocean